Film Studies (thinking film Essay Example | Topics and Well Written Essays - 2000 words

Film Studies (thinking film - Essay Example bingle cannot be condemned or belittled for saying that life often imitates art and vice versa. In fact, its a dictation of facts and contradictions that needs to be revered, understood and deconstructed in its entirety. Now re altogethery, its not that premature to say that our past makes our future, and its owe to this meticulous and oversensitive fashion that our life moves in that we are caught in this struggle of assessing the correlating what has happened and what is about to happen. Lights, camera, actionfrozen in time, and captured for times keep Sure enough, literature and informative articles and write ups give us an insight into the past events and the sandpaper of time that wee-wee elapsed over centuries, but its needless to say that while this past may seem suitably exciting owing to the proficient writings of our forefathers, the cinematic past too speaks clearly, thusly alternatively. Alternative Most will be baffled by the use of the term alternative employ to describe cinema. However, if one sees this medium in isolation, it becomes apparent that the reason for this is because Cinema has always been an alternative to received wisdom and movement through the ages.Its a reflection of the time, the aspirations, and the realizations one makes in that period. Its history etched in frames, in dialogue, expressions and color. While the past seems magnificent in its appeal, it goes without saying that it reflects on the future. Cinema has seen a spread of transitions, and manifestations through the years, and its appeal remains unbeatable even now. Its got the power to stop us in our tracks, plight note of the direction and the paths we have chosen for ourselves and then question possibilities for the future. While one can go on and on about cinematic brilliance, one thing that cannot escape prominence is its history and its splendiferous transformation. And while we are gushing at the past it seems only right to pay tribute to the plenteous past that has inspired present day cinema. Robert Stam wrote, Theories do not usually fall into disuse bid old automobiles relegated to a conceptual junkyard. They do not die they transform themselves, leaving traces and reminiscences. While Stam articulately talks about the old giving way to the new and instigating room for experimentation in the process of this transition, what remains inspiring in all this is the cinema prior to the 1960s which raised the bar for filmmakers and technicians alike. It set the stem from which great cinema emerged and found acceptance. The era prior to the 1960s gave us filmmakers and pioneering geniuses like John Ford, Sergio Leone, David Lean, Orson Welles, Akira Kurosowa, Stanley Kubrick, Alfred Joseph Hitchcock, and Isaac Julien. The list of filmmakers who have made a niche for themselves is long when you tread the boundaries of world cinema. These are the names of only a few who have paved the way f or the new generation filmmakers to follow suit. Many theories developed from this crop of thought. Isaac Juliens film, Battle of Algiers, not only thematizes the racialised and sexualized look but also provides audio visual illustrations that highlight the protagonists angst. One can also further interpret it as a theorized orchestration of looks and glances, captured and analyzed in all their permutations